Scenes From the Chiushingura and
the Story of Forty-Seven Ronin
Collotyes by K. Ogawa
Descriptive Text by James Murdoch

 
Ogawa, K(azumasa) (photographs/collotypes)
Seibei, Kajima (photographs)
Murdoch, James, M.A. (text):
Scenes From the Chiushingura and the Story of Forty-Seven Ronin, Collotyes by K. Ogawa, Descriptive Text by James Murdoch, Tokyo, folio (11 x 15 1/2 in - 28 x 39 cm), Meiji 25 (1892), 17 black and white collotypes, 52 pp. Each plate is preceded by descriptive text explaining the image in the plate and how it relates to the story of the Forty-Seven Ronin. The book recreates a very famous incident in 1701 in which Asano Naganori (Lord Asano) was required to commit harakiri. His forty-seven samurai bodyguards, then reduced to the status of ronin, or masterless samurai, took revenge two years later by assassinating Lord Kira Yoshinaka, the individual responsible for Naganori's death. The ronin were then required by the Shogun to commit harakiri and buried with their master. The 17 collotype plates depict key events and settings in the story. Images involving actual characters are reenacted for the photographs.

In a preface remark, Ogawa states:

I have to thank Mr. Kajima Seibei for his kind assistance in taking the photographs of plates V and XV. K. Ogawa

 

Specifics:

Page Size - Folio size. All pages are 11 x 15 1/2 in - 28 x 39 cm

Covers/Binding - The covers are medium thickness paper wraps with lithographed design. The covers are the standard style "Scenery and Types of Japan" (see below) used by K. Ogawa on his books during this period. The pages bound with string ties (2 visible and middle one not visible from the covers.

Tissue Guards - All plates are tissue guard protected. In some books the tissue guards have not captions or lettering. In others the side of the tissue guard away from the plate has the plate number and a brief descriptive title.

Black and White Collotypes - Each collotype plate is on thick paper stock and also bears the plate number and short descriptive title. Plates are protected by a tissue guard with the plate number and descriptive title. The image areas are generally 8 1/2 x 11 in - 22 x 28 cm.

Page Count. Credit for plates V. to XV (1 unnumbered page), text (48 numbered pages), 17 collotypes (frontisplate and 16 numbered plates) and tissue guards are not numbered (34 unnumbered pages), colophon at rear (1 unnumbered page).

Earlier Edition. Ogawa advertised another version of this book (ca 1891, Scenes From the Chiushingura and the Story of Forty-Seven Ronin. That book was stated to have 20 collotype plates and priced at 5 yen.

 

Collotype Plates

All from K. Ogawa Photographs Except V and XV.

Upper 1 inch of image of many plate cropped because of scanner limitations.

Not Numbered - Harakiri of Lord Assano.

I. Sengakuji - The Well in which the head was washed.

II. Sengakuji - Oishi's tomb.

III. Kamakura.

IV. Daibutsu.

V. Lady Enya recognizes Nitta's helmet. (Kajima Seibei)

VI. Honzo and Wakasanosuke.

VII. Enya's attack on Kira.

VIII. Murder of Yoichibei.

IX. Parting of Okaru and Kampei.

X. Oishi reading the secret despatch.

XI. Tonase and Konami on their way to Yasashima.

XII. Rikya slays Kakogawa Honzo.

XIII. Ama-kawaya Gihei put to the test.

XIV. The discovery of Morono (Kira).

XV. The Ronin outside the Ekoin (Kajima Seibei)

XVI. Lord Tsuchiya meeting the Ronin at Riyogoku-bashi.

 
Colophon

Meiji 25 (1892).12.17

Spine

Completely covered in fabric.

 

 

Common Characteristics of K. Ogawa's
"Types and Views" Series, 1892-1896

 

During the period from 1892 through 1896 Kazumasa Ogawa produced a series of photographic books with collotype plates which have several common characteristics. Because of these common characteristics, I call them the "Types and Views" series. This is not a series name that Ogawa used.

Individually, each of the books represent the work of a master photographer executing the results of his labor through a then state of the art high quality printing process. Considered as a series, these books form an amazing pictorial mosaic of Japanese life, customs, cultural treasures and scenic places, recorded as Japan emerged from relative isolation to the outside world and entered into the 20th century.

  • Size & Format. Folio (11 3/4 x 16 in - 30 x 40.5 cm) size in Western style horizontal format reading from front to back. Crepe paper books are smaller.

  • Covers and Bindings.

    • Front and back covers.

      The covers are made from a thick card stock type paper. On the outside they are lithographed in colors (gray/beige background with black, white, light and dark green and silver) with a repeating pattern of concentric overlapping half circles, stylized clouds with leaves inside and breaking waves in silver. The inside of the covers have a two color butterfly pattern.

    • Double string ties. The covers have two double string type ties that are usually tied in a cross type pattern in the front. The crossed ties end in tassels. Occasionally the ties are not crossed in the front and these do not have a tassel.

    • Spines. Thicker books have a fabric type covering protecting the entire spine. On the thinner books there is sometimes a fabric strip (usually dark blue) covering approximately 2 1/2 inches at the head and foot of the spine. These spine covers are delicate and breakup easily and the norm is for them to be missing or badly deteriorated.

    • Title. The book title is lithographed in bamboo stylized lettering in a title box on the front cover which is framed by two silver lines. "K. Ogawa" is identified as the photographer, "Tokyo, Japan" is the location and the titles generally state "In Collotype & From Photographic Negatives Taken by Him." If the book has descriptive text, the author of that text is identified. Where not all the photographs were take by K. Ogawa it merely states "In Collotype." Some books were distributed by "Sole Agents" and that is stated along with the name and location of the agent.

  • Collotype Plates.

    • The plates were manufactured by the collotype process. This is a high quality mechanical process capable of creating sharp images with a wide variety of tones. For more information on the collotype printing process, click here.

    • Black and White versus Color Images. As a general rule the plates are printed in black and white. Occasionally they are hand colored. I am unaware of a book of this type where the plates were actually printed mechanically in color using a multi pass collotype process as you see in the Ogawa flower collotypes in the Brinkley books of 1897-1898. The few color plates found in this series of books are hand colored.

    • Descriptive Titles. Plates generally have a descriptive title in English placed at the foot of the image. In some cases the descriptive title is printed on the tissue guard protecting the plate and not on the plate. The descriptive titles on the plates were applied in a separate letter type printing process from the collotype process that created the actual image on the plate. On the back you often see the indentations where the title was impressed on the plate.

    • Paper Color and Thickness. The paper color of the collotype plates in this series is brown/tannish. The thickness is similar to a thin index card. While the paper is not limp, it bends very easily. Below is a relative color comparison of various papers found in this and other Ogawa collotype plates.

      1. Types and View books
      (1892-6)

      2. Landscape Gardening Supplement (1893)

      3. Sights and Scenes in Fair Japan (1910)

      4. Bright white paper for comparison

      Composite view

     

  • Collotype / Phototype. The titles generally state the plates are "In Collotype" but with some books the term "In Phototype" is used. Occasionally, the same book can be found (Celebrated Geysha of Tokyo, 12 plate version, for instance) where covers with either of the terms are found. In the context of Ogawa books "collotype" and "phototype" are synonymous. The term "phototype" is the French word for the collotype. The term was used primarily in Europe but collotype quickly became the preferred designation. I suppose it is possible that for books intended for export to Europe the title used the term phototype.

  • Colophons. Except in cases where a book had an author who wrote the descriptive text, colophons are generally not found with the books. However, I believe that most of the books were actually issued with Japanese language colophon slips inserted loose at the back of the book. The lack of these slips is what makes these books hard to date precisely. These colophon inserts are on thin paper and most of them probably became separated from the books over the years. I have seen one slip that was actually tipped to the inside back cover. Below is an example of a colophon insert slip.

    Costumes & Customs in Japan, Vol I and II

    Printed: Meiji 28(1895).6.21
    Distributed: Meiji 28(1895).6.25

    Books where there is an author who wrote the descriptive text generally have a Japanese language colophon printed on the inside back cover. Below is an example of this type of colophon.

    Sights and Scenes on The Tokaido

    Meiji 25(1892).5.11

  • Color Wooblock Inserts. Infrequently the larger format books (11 3/4 x 16 in - 30 x 40.5 cm) are found color woodblock inserts giving the title. These measure (12 x 15 3/4 in - 30.5 x 40 cm). They are placed in loose at the front of the volume. Since these inserts are wider than the book, they are folded on the right side 1 1/2 inches to fit under the covers. These inserts are printed on high quality paper. They are double fold with the paper sealed in the middle at the back. They bear a color woodblock image of a cherry tree in bloom. The name of the book is printed at the middle left. The inserts are found with and without the Kelly & Walsh imprint and address (No. 61, Main Street, Yokohama) and the statement "Sole Agents.". I have confirmed these inserts in editions of Japanese Life (Kelly Walsh imprint), and Customs and Costumes, Vol II (No Kelly Walsh imprint). It is my experience that these inserts are seldom found with the book. Below are examples of these inserts.


  • Crepe Paper Books. During the period from 1892~1918 Ogawa published a series of books all titled Illustrations of Japanese Life. There were four different books with the same title. These books were on crepe paper and contained color collotype plates. These books have covers patterned along the same lines as the standard types and views covers found on the non-crepe books. Below is a picture of a cover from one of these crepe paper books.

    For more information on these books, click here.

The Perry Expedition:    General Information  :   Related Books/Pubs
The Lithographs:    Characteristics   :    Condition    :    Listing    :    Buying
Order On-line:    Lithograph Price List  :   Book Price List
ABE Book List:    BaxleyBooks Inventory on ABE
Special Interest Books/Art:
    ~ K. Ogawa - Color Collotypes and Books/Prints
    ~ T. Hasegawa - Color Woodblock Books
    ~ Shimbi Shoin - Art Reproduction Books
    ~ Tamamura/Takagi, Kobe - Color Collotype Books
    ~ Blackie the Photographer - Okinawa Photo Essay Books
    ~ Keisuke Serizawa - Calendar Folios & Art
Meiji Era - Japan Views & Images (Price Lists):
    ~ Albumen Photos  :   Other Photos  :   Chromolithographs
    ~ Colored Albumen Photographs (from Brinkley Books)
    ~ Stereoviews  :   Kazumasa Ogawa Collotypes
    ~ CDV - K. Ogawa   :   CDV - Other   :   Cabinet Cards
PayPal Accepted:    Pay for Purchases with PayPal
Buying Books:    Our Book Buying Interests
BaxleyStamps:    Main Page  :   Ryukyu Stamps  :   Japan Stamps
  Frames Version   :   No Frames Version
Copyright - 1999-2008 George C. Baxley
Copyright and Fair Use Policy is here.

We Are Buying the 1856-7 Perry Expedition Books and Lithographs.
If you have material to sell, please visit this page: Buying.

George C. Baxley
PO Box 807
Alamogordo, NM 88311

575.437.8707 --  FAX  575.434.1571

Perry Expedition to Japan Books & Lithographs
BaxleyStamps.com  gbaxley@netmdc.com